1/4/2024 0 Comments Annie baker the flick![]() For those (like me) curious about Amy Keating, The Flick offers a welcome opportunity to see her work. With all this going for it, it comes as no surprise that the run has just been extended for a week until November 2. These include banks of seats from Toronto’s historic Humber Theatre, which was one of the original five Odeon picture houses built in 1948, and screened its final film just this past May. Director Mitchell Cushman and his creative team have transformed the Streetcar Crowsnest venue to resemble a classic cinema by incorporating artifacts from the final days of 35-mm analogue culture. This Toronto production, however, is a unique immersive experience. Since its premiere in 2013 at Playwrights Horizons in 2013, The Flick has been a critical and audience darling, and continues to be produced around the world. even when time seems to stand stubbornly still. Through the small milestones of their lives, the plot explores themes of class, race, discontent, and the universal need for belonging, intimacy and authenticity in a world that is inexorably changing. The play is punctuated by large swaths of silence that reflect the unhurried pace of their lives – their uneventful mundanity contrasting the sweeping movie plots projected on the theatre’s big screen. Brendan McMurtry-Howlett rounds out the cast as Skylar and The Dreaming Man.Ī comedy, The Flick explores the ordinary interactions of these seemingly unexceptional characters. And college student Avery (Durae McFarlane) is a new hire with a knack for film trivia. Rose (Keating) is a 24-year-old woman striving to be cool. Long-time employee Sam (Colin Doyle) is a 30-something man who still lives at home with his parents. ![]() The plot follows three underpaid employees of a suburban movie theatre who sweep, mop and attend to the film projector for $8.25/hour. It forms one half of a double bill that opens Crow’s theatre season (Dave Malloy’s supernatural song cycle Ghost Quartet is the other half). The Flick is co-produced by Outside The March and Crow’s Theatre. Given the opportunity to chat with her about her current role as Rose in Annie Baker’s Pulitzer Prize-winning play The Flick (2014), I am hoping – at least partially – to fill that void. Consider also that she is a Dora-Award winning actor with a steadily-expanding repertoire, including a stint at the Stratford Festival last season. Consider that she is a founding member of Outside the March Theatre and The Serial Collective, a troupe based in her hometown of Edmonton.
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